English courtiers and aristocrats acquired estates
eventually with surrounding tenanted farms so that the expenses of the great
house itself could be covered by rents received. Accordingly many of the
stately homes are in relatively remote rural locations. This is true of the two
magnificent houses I here describe – Holkham Hall, Wells-next-the-Sea in North
Norfolk and Audley End at Saffron Walden in Essex.
The South Facade of Palladian Holkham Hall |
Holkham Hall is
closely associated with the Coke family (pronounced “Cook”) who became Earls of
Leicester. The founding father was Sir Edward Coke (1552-1634), the eminent
lawyer whose Institutes have become a key text proclaiming the supremacy of
the Common Law through Parliament and limiting the prerogatives of the monarch.
Almost his last political act was to present the Petition of Rights to Charles I. To that extent he deserves the
epithet the Father of the Common Law
but his earlier career as Attorney-General was ferocious and brutal as he used
the royal prerogative to persecute and behead the Earl of Essex, condemn Sir
Walter Raleigh to the block on trumped-up evidence and preside over and organise
the torture and cruel death of Guy Fawkes – Coke was a savage man in savage
times.
The house we now see is the creation, 5 generations later,
of Thomas Coke, created Earl of Leicester who, inspired by classical
architecture after going on the Grand Tour, joined forces with Whig connoisseur
Lord Burlington and master interior designer William Kent to start the
Palladian mansion in 1734. Holkham’s design was taken from Palladio’s Villa
Mocenigo in Venice but it has to be said that externally Holkham is excessively
austere, not helped by the use of local bricks rather than stone which would have
mellowed gracefully. The upper storeys have insufficient windows to my eye.
The interior is by contrast much more lavish. The entrance
into the Marble Hall is breath-taking, a homage to great classical and
Palladian buildings in the Veneto and in Rome. The atmosphere of grandeur is
inescapable with its wide staircase, fluted columns and elaborate ceiling.
The Marble Hall at Holkham |
A succession of splendid rooms follow, mainly in the
Palladian style, partly designed to show off Coke’s collection of rare Greek
and Roman statues, his wonderful paintings and fine objets d’art. Thus we move to the Dining Room, with a bust of
Aphrodite allegedly from the Parthenon itself, to the Statue Gallery with
William Kent furniture and among many others a statue of Diana said to have
belonged to Cicero. The Drawing Room, in a warmer red, displays a ravishing
landscape by Claude Lorrain, a fine Madonna by Pietro de Pietri and works by
Poussin and Hondecoeter, much to 18th century taste.
Holkham, The Drawing Room |
Perhaps the finest room at Holkham is the Saloon with
sumptuous Palladian décor, majestic Kent furniture and lovely paintings.
The Saloon at Holkham |
The most treasured painting at Holkham is here, The Return of the Holy Family by
Rubens, but there are also terrific portraits by Gainsborough and van Dyck and
the walls are covered in beautiful Genoa velvet.
More fine rooms follow with paintings by Claude Lorrain, a
mosaic from Hadrian’s villa and magnificent Brussels tapestries, all
demonstrating the delightful interior of Holkham. Outside, a Park and farm of
almost 3,000 acres, an exotic fountain depicting Perseus and Andromeda, a
commanding Obelisk by Kent and a huge lake complete the majestic picture.
The other famous resident was Thomas William Coke
(1754-1842) who, after heraldic acrobatics, became the 1st Earl of
Leicester of the Second Creation. This Earl is better known as Coke of Norfolk, becoming a celebrated
agriculturalist, dedicated to the improvement of his land and of the farming
methods of his tenants. He and many others – “Turnip” Townsend was a friend and
neighbour – spear-headed the Agricultural Revolution of the 18th
century, often overshadowed by the even more significant Industrial Revolution.
He was an early advocate of the rotation of crops, the use of turnips as animal
feed and he organised “shearings” where ideas were exchanged. Coke specialised
in the selective breeding of sheep, being credited with the introduction of the
successful Leicester breed. A column in his honour was erected at Holkham in
1851.
The Leicester Sheep breed introduced to Holkham by Coke |
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Audley End was
once a veritable 17th century palace, enormous even by the lavish
standards of that time; since then it has been partly demolished, remodelled
and rebuilt so that what we now see is mainly late 18th century and
19th century work, albeit often in the Jacobean and Carolinian idiom. Its
ownership has been convoluted and it is now owned by taxpayer-funded English
Heritage, yet remaining the seat of Lord Braybrooke, a scion of the Howard de
Walden family enriched by property holdings in the West End of London.
Audley End |
The Audley name derives from Thomas Audley (1488-1544),
henchman of Henry VIII and Speaker of the House of Commons who oversaw the
passing of the acts dissolving the monasteries. Audley was rewarded with the
Abbey of Walden where the great house now sits. A descendant, Thomas Howard (1561-1626)
had distinguished himself in the naval service of Queen Elizabeth and became
Baron Howard de Walden and later, under James I, Earl of Suffolk. Using as
architect Bernard Johnson, he built Audley End from 1603 to 1616 when he was
Lord Chamberlain and then Lord High Treasurer of England. His financial
dealings did not bear examination and in 1618 he was sent to the Tower for
embezzlement, only escaping by paying the then massive fine of £30,000. But at
least he died in his bed, if in disgrace, and Audley End is his legacy.
The Hall at Audley End |
Charles II fancied Audley End (it is quite near Newmarket
races) and bought it on deferred terms, the monarch occupying it from 1669 to
1701, when it was restored to the Howards, whose line started to fail. The
house was acquired by Lady Portsmouth in 1727, who bequeathed it to a nephew
Sir John Griffin who became Lord Braybrooke, dying there in 1797. A kinsman
Richard Neville inherited and the Braybrooke title passed to his family. During
these years the house was substantially down-sized with the demolition of at
least two-thirds of its original area and extensive rebuilding.
The Library, Audley End |
The Jacobean core was embellished by fine rooms designed by Robert
Adam and by a Chapel in the Strawberry Hill Gothick style. Adam also erected
classical monuments in the Park, but his Tea House Bridge is particularly
enchanting. The House was taken on by English Heritage rather than The National
Trust after WW2 and is its showpiece with lovely grounds and a sumptuous
interior.
The Strawberry Hill Gothick Chapel of 1786 |
Robert Adam's Drawing Room |
Adam's Tea House Bridge |
SMD
29.11.13
Text Copyright © Sidney Donald 2013