It was my good fortune to be a member of a family owning
various entertainments in my home town of Aberdeen, Scotland, among which were
some dozen local cinemas. My agreeably misspent youth was particularly
stimulated by free admission to “the flicks”, as we called them. An
impressionable young lad, I must have seen hundreds of movies between the late
1940s and the late 1960s and I here feature some I particularly liked at the
time, or caught up with later, in the hope they will stir happy memories for my
readers too.
1. The
Adventures of Robin Hood (1938)
Errol Flynn madly swashbuckling |
This is a terrific movie, with excitement, spectacle, wit,
colour and glamour in abundance, not to mention the twang and thud of arrows
hitting their targets. Athletic Errol Flynn (Robin) was never better, Olivia de
Havilland (Marian) contributed melting beauty, Alan Hale (Little John) and
Eugene Palette (Friar Tuck) were superb supports while Claude Rains (King John)
and Basil Rathbone (Sir Guy of Gisborne) laid on the villainy with a trowel.
Not the least pleasure was the inspiriting musical score by Erich Korngold. An
unbeatable swashbuckler.
2.
The
Wizard of Oz (1939)
Judy Garland (Dorothy) singing Over the Rainbow was just one of the treats. As a youngster I loved
Jack Haley (the Tin Man), Ray Bolger (Scarecrow) and Bert Lahr (the Cowardly
Lion) – it was the special fantasy of my generation. Following the Yellow Brick
Road to Frank Morgan’s Wizard, after many adventures, was a rite of passage for
6-year-olds. We loved it all - and Toto too.
Dorothy following the Yellow brick Road |
3. Now, Voyager (1942)
Bette Davis was a great star and this romantic and emotional
melodrama showed off her talents to great effect. She plays mousy Boston spinster
Charlotte Vale cruelly dominated by her mother (Gladys Cooper). On the verge of
a breakdown she enters a clinic run by the shrink Dr Jaquith (Claude Rains).
She recovers her confidence and immediately goes on a cruise to South America
with a stunning new wardrobe. She meets on board unhappily married Jerry (Paul
Henreid), who has a troubled daughter Tina. They fall in love but decide not to
see each other again.
Bette morphs from mouse to vamp |
Charlotte astounds her Boston family with her change of
character, briefly gets engaged to a local socialite and defies her infuriated
mother who drops dead with a heart attack. Feeling guilty, Charlotte returns to
Dr Jaquith’s clinic but there meets Jerry’s Tina and takes her under her wing.
Reunited platonically with Jerry she becomes a second mother to Tina, who lives
with her. Although not everything has quite worked out she gasps to Jerry
“Don’t let’s ask for the Moon, we have the Stars!” A first-rate weepie, the
film is also famous for Henreid lighting two cigarettes at the same time and
giving one to Davis, often seen in Bette’s later films (long before smoking
became politically incorrect!).
4.
Casablanca
(1942)
Bogart and Bergman smoulder |
A perennial favourite, Casablanca
is so familiar many can recite whole scenes word-for-word. A wartime
morale-booster, it has Rick (Humphrey Bogart in dazzling form) as the hard-bitten
bar and gambling joint owner in Vichy Casablanca cooperating with cynical chief
of police Capt. Louis Renault (Claude Rains, yet again!). Rick is surrounded by
a rum crew of characters – small-time criminal Signor Ugarte (Peter Lorre),
rival bar-owner florid Signor Ferrari (Sydney Greenstreet), his loyal head
waiter Carl (S.Z. “Cuddles” Sakall) and crooning pianist “Play it again” Sam
(Dooley Wilson). Rick’s rackety life is interrupted by the re-appearance of his
former lover from Paris, Isla Lind (Ingrid Bergman) on the arm of husband Czech
resistance hero Victor Lazlo (Paul Henreid). Rick complains: “Of all the gin
joints in all the towns in all the world, she walks into mine.”
The plot is decidedly convoluted but much revolves around
Victor and Isla’s efforts to get hold of letters of transit allowing the holder
to fly to neutral Portugal and the efforts of Nazi Major Strasser (Conrad Veidt) to prevent
his enemy Lazlo escaping. A great rousing scene sees the French patrons of
Rick’s bar singing The Marseillaise
to drown out The Watch on the Rhine
from the Germans. There are many past misunderstandings between Rick and Isla
to resolve, but Rick eventually comes good, nobly renounces Isla, helps her and
Lazlo to escape by plane, shooting Strasser dead and then walking into the
sunset to new pastures with his accomplice Capt. Renault, declaring “Louis, I
think this is the beginning of a beautiful friendship!”.
Bogart and Bergman were both terrific, “As Time goes by” is
unforgettable and the brisk dialogue never falters in this supremely romantic
entertainment.
5.
Random
Harvest (1942)
Greer Garson won an Oscar for her performance in Mrs Miniver in 1942, but I prefer her as
Paula Ridgeway, the music hall singer who protects “John Smith” (Ronald Colman)
whom she calls “Smithy”, the shell-shocked amnesiac officer who had wandered
away from an asylum on Victory Night in 1918. They marry and are blissfully
happy in their country cottage, while Smithy knows nothing of his background.
Garson and Colman tear the heartstrings |
One day Smithy is in Liverpool for a job interview when he
is knocked down by a taxi. His memory of his background floods back but he
totally forgets Paula and their happiness together. His real name is Charles
Rainier, son of a wealthy but mismanaging businessman. Charles revives the
business and Paula, now known as Margaret, becomes his still unrecognised
secretary. He enters parliament and marries Margaret, although he realises
there is a gap from his past life. A combination of circumstances brings both
back separately to their old country cottage. A long neglected key opens the
front door with its creaking gate – lovely Margaret/Paula cries out “Smithy!”
and honourable Charles responds with “Paula” and they are in each other’s
passionate arms. I know it is pure
hokum: yet at least 2 boxes of Kleenex are required for this classic weepie.
6.
The Best
Years of our Lives (1946)
This was an enormous US success in 1946, sweeping the Oscar
board and is a tribute to the fortitude and decency of America. It follows the
troubled return home of three war veterans in 1945, who meet on the plane home,
and their efforts to rebuild their lives.
Homer, Fred and Al, the three returning veterans |
Al Stephenson (Fredric March) was an infantry sergeant
married to everyone’s favourite American wife Milly (Myrna Loy) with a grown-up
daughter Peggy (Teresa Wright). Fred Derry (Dana Andrews) was an air force
captain married to unfaithful cocktail waitress Marie (Virginia Mayo). Homer
Parrish (Harold Russell) lost both hands in the Navy and is engaged to Wilma (Cathy
O’Donnell) – Russell was in reality a maimed soldier with prosthetic hooks as
hands.
Al returns to his old job as a loan officer in the local
bank, criticised for making an unsecured loan to a veteran to set him up in
business and responding in public that it is the duty of all Americans to give
such people a helping hand. He tries to restrain his daughter Peggy who is
attracted to Fred and dislikes Marie. Fred wanted to do better than return to
his former employment as a soda jerk but jobs were scarce and he had no
alternative. Marie despises his lowly status. Homer’s disabilities appal and
repel his and Wilma’s parents, who try to separate the pair, but Wilma is
steadfast in Homer’s support.
The three meet regularly and encourage each other. Eventually
Fred discovers Marie’s infidelities and they divorce. Fred plans to leave town
but wanders to a nearby airfield packed full with the wrecks of old aircraft
including the B-17s he flew, bringing back proud, vivid memories. The scrap
metal on the planes is to be used for building houses and Fred is given a new
job with the building company. Homer and Wilma get married, Fred is best man,
Al, Milly and Peggy are there and Fred and Peggy talk about their hard but
bright new future together.
Fredric March was always a pleasure to watch and Dana
Andrews surprised by how good he was. The playing by Harold Russell could not
fail to move. The film had a powerful integrity and exuded the hopeful spirit
of post-war America.
7.
Carousel
(1956)
Rodgers and Hammerstein never wrote a better musical and the
songs resonate strongly with me still. Billy Bigelow (Gordon MacRae) is a
feckless fairground barker in Maine attracted to innocent mill-girl Julie
Jordan (Shirley Jones). They woo -If I
loved you - and we meet Julie’s engaged friend Carrie Pipperidge (Barbara
Ruick) who looks forward to When I marry
Mr Snow. Billy quits his job and marries Julie; they stay with Julie’s
cousin, Nettie (Claramae Turner) - June
is bustin’ out all over. Billy is tempted to go back to his carousel, but
is thrilled to hear that Julie is pregnant - My Little Girl. Desperate for cash, Billy tries to rob the
mill-owner while everyone is away at a clambake. Julie is warned by her friends
of the perils of love - What’s the use of
wond’ring – and Billy botches the robbery and falls on his own knife,
killing himself. Nettie sings You’ll
never walk alone.
Julie is won over by Billy |
Years later, up in heaven, the Starkeeper (Gene Lockhart)
gives Billy a day on earth to help out widowed Julie and her unhappy, teased
daughter Louise (Susan Luckey) Unseen Billy murmurs words of encouragement and
love to Louise and Julie who sense his presence. At Louise’s high school
graduation the local doctor (aka Gene Lockhart the Starkeeper) recites the
verse of You’ll never walk alone and this great anthem is taken up
by a celestial choir as Billy ascends a glittering staircase to heaven.
By this time I am blubbing uncontrollably at the ecstatically
melodic beauty of it all.
8.
12 Angry
Men (1957)
A classic movie with only about three minutes outside the
claustrophobic confines of the jury room where 12 very varied men try to
persuade the others of their views on the murder case against a young
immigrant. Famously Henry Fonda asks for proper deliberation in what the others
view as an open and shut guilty case. Slowly his eloquence wins over the
waverers, with reasonable doubt sowed in their minds over a supposedly rare
switchblade, what people heard over the noise of the L-train and the defective
eyesight of a key witness.
A Jury vote is taken |
Fonda tackles the hard-core – ignorant Jack Warden only
interested in catching a ball-game, Ed Begley bigoted against slum-dwellers, E
G Marshall, the logical stockbroker finally won over and malevolent Lee J Cobb,
wrestling with his demons over his broken relationship with his own son. The
whole acting ensemble plays brilliantly and this absorbing, intelligent film is
deservedly admired.
9.
Sweet
Smell of Success (1957)
"Match me, Sidney" demands J.J. |
A film noir if
ever there was one, the movie follows the relationship of ruthlessly arrogant
but powerful newspaper columnist J.J. Hunsecker (Burt Lancaster) with Sidney
Falco (Tony Curtis), a slimy New York press agent, both protagonists acting
wonderfully well. The plot revolves around J.J.’s hatred of his sister’s jazz
musician boyfriend and a scheme to plant drugs on him, using Falco. Even amoral
Falco jibs at this villainy. The evocation of Mid-town New York with its bars,
favoured restaurants, dark clubs, crowded sidewalks, pushy celebrities, dubious
politicians and corrupt cops is unforgettable. Lancaster and Curtis surpassed
themselves in what seems like a quintessentially American movie – but the
director was a fellow-Scot, Alexander MacKendrick!
10.
North by
Northwest (1959)
This is Hollywood, rather than foggy London, Hitchcock and
is hugely entertaining. Suave, grey-suited New York advertising man Roger
Thornhill (Cary Grant) is kidnapped in a case of mistaken identity, taken to an
estate on Long Island, questioned by smooth but sinister Vandamm (James Mason),
believing he is someone called Mr Kaplan. His abductors fill him full of
Bourbon and send him driving downhill on a cliff road on his anticipated last
journey. He somehow survives and his abduction story is not believed the next
morning – he is taken for a drunk. Trying to track down Mr Kaplan, Thornhill
has a meeting with a diplomat in the UN Building who is murdered with a knife
in his back – Thornhill becomes the prime suspect.
He flees in a train to Chicago, where he meets and is
attracted to Eve Kendall (Eva Marie-Saint) not knowing she works with Vandamm.
Sent to a rendezvous at a deserted scrubland crossroads, Thornhill is attacked
by a machine-gun-toting, crop-dusting bi-plane; he only just escapes in a maize
field and the plane crashes spectacularly into a petrol truck. Believing Eve
sent him to his death, Thornhill has himself arrested at an art auction where
his eccentric bids causes consternation. He is handed over to The Prof, a CIA spymaster
who explains there is no Mr Kaplan, merely a diversion to protect Eve who is a
CIA double agent. Willing to help Eve, Thornhill helps her to conceal microfilm
from Vandamm and they both escape in a chase over spectacular Mount Rushmore.
Two of Vandamm’s heavies are killed and Vandamm himself is captured. The Free
World breathes again and Thornhill and Eve live it up on a sleeper train
returning home.
Cary Grant runs for his life |
The whole confection is carried off with brio with Cary Grant contributing his
rich cocktail of easy charm, good humour and sophistication. A splendid night at the movies!
SMD
30.06.14
Text Copyright © Sidney Donald 2014