Wednesday, February 21, 2018

NOT JUST A PRETTY FACE



It is very easy to be deceived by first impressions and to be seduced by the superficial appearance of people you meet. Cleopatra no doubt had a dazzling smile, a majestic manner and a pert bottom but her heart was of ice and Betrayal was her middle name. Luckless, straight-forward Antony became enmeshed in her perfumed web and paid with his life. May he be a salutary lesson to us all!

Ancient image of Cleopatra

We men love all women, of course, for their gossamer delights, but sometimes we tire of the endless chatter, the obsessive shopping and the relentless egotism and long for serious conversation and civilised companionship. The trouble is that intellectual ladies often come at a heavy price in terms of outward appearance and Nature’s ill-favour. Clever George Eliot (“a horse-faced blue-stocking” in Henry James’ ungallant phrase), Virginia Woolf’s long face and hooded eyes would frighten the children while plain-Jane Austen graces our useful £10 note and is given a thin-lipped smile, artistic licence I suspect, flattering that grimly accomplished novelist.

Jane Austen on a £10 note

Yet how often have we thrilled to the grace and acute insights of clever women – their wide-ranging interests, their instinctive understanding of the minds of others and their driven industriousness. They enrich so much of our lives and they are agreeably thick on the ground – the dumb air-head is happily in a distinct minority.


In recent days one of my favourite TV women has been in the eye of a controversy. I refer to Mary Beard, Professor of Classics at Cambridge University. Now in truth Mary usually looks like she has been pulled through a hedge backwards but her programmes on Ancient Art and on the history of the Roman Republic and early Empire have been unmissable. Mary wears her erudition lightly and shares her enthusiasms with a popular audience, including me. She tweeted some mild remarks in sympathy with currently demonised Oxfam’s problems in Haiti and was rewarded with a tsunami of violent abuse, accusing her of racism (for not supporting a black nation) and for betraying feminism (by not unreservedly supporting Haitian women). I will not join the controversy as racism and feminism are not really my forte. I nonetheless think she has been unjustly vilified, but that is the sad old world we inhabit.

Besieged Mary Beard

After all my sardonic remarks about the talents of the Ladies, I have to turn my attention to the Men. The great majority are far from being oil-paintings and although they bloom in their 20s, the ubiquitous beer-belly soon swells into prominence, followed by a profusion of chins and then an argumentative and grumpy attitude to the outside world. The career is never quite right, the cares of family crush them and the pension is never enough. In their world, it is always winter and never bright summer. They make difficult companions and it is not entirely surprising that many wives/partners prefer dogs.


As regards physical beauty their reigns tend to be very short. I suppose recent idols have been George Cluny (his resemblance to me often noticed!) and David Beckham – better if he does not speak and hides his tattoos. But men fall apart more quickly than women; the hair disappears and the face wrinkles with only rare recourse to the plastic surgeon, the cosmetic arts and the radical make-over.


Just as with the Ladies, clever men eventually take pride of place. We care little for Kipling’s whiskers or Churchill’s podginess when their works entertain or move us so much. Many of our best loved men enjoyed eccentric outward appearance. Just off the bat I can cite young fogey John Betjeman, machine-gun conversationalist Lord David Cecil or debunker Lytton Strachey, all of whom added much to the gaiety of the nation.

John Betjeman
Lord David Cecil

















 

Lytton Strachey

I can only encourage all to look beyond the externals and enjoy such depths as can be found, ignoring the superficial and the ephemeral. Here endeth the lesson!



SMD
21.02.18

Text Copyright © Sidney Donald 2018

Wednesday, February 14, 2018

THOMAS ARCHER, ARCHITECT


British architecture enjoyed a golden age in the late 17th and early 18th centuries when the remarkable genius of Wren, Hawksmoor and Vanbrugh flourished. There were other very talented figures too, like James Gibbs and one I find tantalising, elusive Thomas Archer (1668-1743), whose completed works are rare, who contributed to parts of several great houses and who revelled in being “a gentleman architect”. I describe four of his buildings which have interested me.

Thomas Archer



Heythrop Park
                               
Born the son of a prosperous MP at imposing Umberslade House in Warwickshire, Archer left Trinity College, Oxford for a 4-year Grand Tour of Germany, Austria and Italy. He was enchanted by the new Baroque style, particularly that of Bernini and Borromini, at a time when England was slowly emerging from traditional Tudor and Jacobean influences.


Archer’s debt to Bernini is exemplified by the front elevations of Heythrop Park in Oxfordshire, a commission completed in 1720 and won from the Talbot family, briefly Dukes of Shrewsbury. The fenestration, roof-line and massive columns are derived from a never-completed plan by Bernini for the Louvre. Archer’s building was a little unlucky; his huge entrance hall still exists but the sumptuous interior by James Gibbs succumbed to a fire in 1831 and although the Gothic Revivalist Alfred Waterhouse reworked the interior in his own style, the building fell into disrepair becoming a Jesuit seminary. Acquired by NatWest Bank in the 1950s, the estate was developed as a training centre and conference venue. In my banking days, I visited and appreciated convivial Heythrop many times. Sold in 1999, it is now the site of two up-market hotels.

St Philip, Birmingham (Birmingham Cathedral)

St Philip was built in 1715 in the Baroque style, so dear to Thomas Archer yet so rare in England. It was built as a new parish church for the growing industrial area of Birmingham and became a cathedral (one of England’s smallest) in 1905. It sits in an oasis of calm in elegant Colmore Row and its churchyard is a welcoming haven. I used regularly to visit an office closely nearby and often popped in to St Philip. The interior is splendidly imposing, in the Italianate manner, with fluted Tuscan columns. Long after Archer’s time the church was embellished by 4 beautiful stained-glass windows by the pre-Raphaelite artist Edward Burne-Jones.


One might suppose that the stolid people of Birmingham are not much engaged in theological speculation but one would be wrong. In 1977 a collection of essays The Myth of God Incarnate was published and ascribed to the liberal Birmingham school, including John Hick and Frances Young from the University reinforced by Maurice Wiles, Dennis Nineham and other Oxbridge figures. The book was an honest discussion of Christology and the origins of the Incarnation Myth. It caused a sensation and a deadly backlash from the conservative Anglican establishment, blighting the church careers of the contributors. The book was scholarly, moderate and remains seminal.


Thomas Archer’s masterpiece is said to be St Paul’s Deptford, erected in 1712.

St Paul's Deptford

The poet and architectural writer John Betjeman declared that St Paul’s was A Baroque Pearl in the heart of London. Its misfortune is that Deptford is now one of the most deprived and bleak areas of London, tucked away just South of the Thames in the borough of Lewisham. From the early 16th century until 1869 Deptford prospered as a Royal Navy Dockyard, repairing and refitting the fleet. Pepys and the other diarist Evelyn were often there though it declined as ships grew larger but continued as the main Victualling Centre until the Navy moved out in the 1920s. Now the civilian docks and depots have closed and Deptford is a wilderness.


St Paul’s was one of the Fifty New Churches planned by Act of Parliament of 1710, a Tory measure to bolster the Anglican Church, as opposed to the thriving Dissenters, lavishly financed by the old coal tax which funded the restoration of the City after the Fire of 1666. In the event only 12 churches were built, 2 by Archer the others mainly by Hawksmoor and Gibbs, as later the ascendant Whigs were not enthusiastic supporters of Anglican expansion.


St Paul’s has an impressive semi-circular portico and a noble cylindrical tower crowned by a fine steeple. Some years ago I tried to visit the interior but it was firmly chained up and unwelcoming. I understand that local vandalism was a problem and that a restoration programme has now been completed – so I am sure a Baroque feast rewards an adventurous trip to Archer’s Deptford, best combined perhaps with a drive to the glories of Greenwich.


Archer’s final building and the second of his contributions to the Fifty New Churches programme is St John’s, Smith Square erected between 1713 and 1728.

St Johns, Smith Square

Archer’s huge church, with its 4 high towers acquired the early nick-name “Queen Anne’s Footstool”. Legend has it that the ailing Queen was pestered by Archer to approve his plans and, on being asked what shape she preferred, petulantly kicked over her footstool and said “Like this!” In truth the 4 towers were required by Archer to diffuse the weight of masonry on the marshy ground of the site.


The exterior of St John’s is exuberantly Baroque as described by the architect and writer Sir Hugh Casson in 1981. The outside is such a turmoil of movement that you could almost say there are no walls or windows ... only a composition of classical elements, columns and cornices, moulded pediments and heavily modelled towers ... Archer handles all this with an energy, courage and confidence which is irresistible.” The building is a superb adornment to a now upmarket corner of Westminster.


In 1941, a German firebomb gutted the interior of St John’s and the ruined building was open to the skies until the early 1960s. In time it was restored as a concert hall, hosting many a chamber orchestra, choir or recital. Smith Square was for many years synonymous with Conservative Central Office which occupied No. 32 from 1958 to 2004 and was a political hotbed in the eras of wily MacMillan, unlucky Heath and blessed Thatcher. But my happiest memory is attending a concert of Baroque music by Rameau and Charpentier, given by the matchless Caen-based ensemble Les Arts Florissants led by the American William Christie. Such lovely music in such an appropriate setting! All thanks to Thomas Archer!



S.M.D.
14.02.2018. 
Text Copyright ©.Sidney Donald 2018.

Friday, February 2, 2018

JANUARY BLUES


I am glad to see the back of January 2018. January is always a trying month, with bold New Year resolutions colliding with grim reality, piggy-banks empty and chilly winds blowing up one’s kilt. This year I have had in addition a heavy dose of this winter’s bug, coughing incessantly, producing quite excessive amounts of phlegm (why do we honour the phlegmatic?) and being afflicted with much more than my usual lassitude – a stroll to the shops requiring the energy for a trans-polar expedition.


Such grim January feelings are not unexpected; Blue Monday (allegedly the most depressing day of the year) is always in January – this year it fell on 15 January – but it seemed no different from many a January day. 7 January was worse in that on that day Arsenal were knocked out of the FA Cup 2-4 by lowly Nottingham Forest, sackcloth and ashes obligatory!


Outside events as usual do not brighten up our lives. A fund-raising function in the City of London thrown by the so-called President’s Club, a stag occasion, was said to be a “groperama” and triggered off noisy protests from lady crusaders and the usual agitators. As the President’s Club seemed to be mainly the province of property executives (not a famously enlightened group) we could have expected the worst but it is sad that the attitudes of Hugh Hefner’s Playboy Clubs, already tacky in 1960, should persist in the aged loins of some superannuated British satyrs. Thankfully we also learn that pretty but totally irrelevant girls are being dropped from F1 grids – the days of blatant arm-candy are soon to be history.

Long past your sell-by date, Hef (RIP)!

Scotland contributed her own toxic dose of venom by clarifying an earlier decision from Alex Salmond that the Union flag would only be flown on certain royal occasions and normally public buildings would fly the Saltire. Neglected for some time, this decision seemed a gratuitous shaft aimed at Her Majesty. Far from gallant from Nicola Sturgeon (who hid behind Salmond), and as the SNP’s noisy Republican credentials range against the tacit loyalty of Scots monarchists, I see this as bad politics and do not believe the SNP would win many votes on this issue.


Trying to cheer myself up by reading, I bury myself in Yanis Varoufakis’ Adults in the Room, his memoir of his 6 months as Greek Finance Minister in early 2015. His very detailed and illuminating account tells an alarming story of how the EU would only discuss more (failed) austerity and refused to engage in any discussion of debt reconstruction, even though intellectually almost all acknowledged that Greece could never meet her obligations. The catalogue of prevarication, obstruction, red herrings, invented rules, collusion and blatant lying displayed by the cream of the EU, ECB and IMF at that time, by Schäuble, Dijsselbloem, Draghi, Weiser, Lagarde and Thomsen chills the blood as a similar team is negotiating with the UK over Brexit. These people, like Juncker and Barnier, do not negotiate in good faith. Varoufakis represented a left-wing government, anathema to the EU, but the UK government is also cordially despised. Feeble Greece caved in eventually but I do not expect the UK go down the same road despite all efforts by Brussels to subvert our government, aided by our home-grown Eurofanatics, and the flabby leadership being displayed by uninspiring Theresa May. God help us if we fail to show true British grit!


We need your spirit now, Winston

My January bug has prevented me from boosting my morale by seeing Gary Oldman as Churchill in The Darkest Hour but I hope for that treat in a few days’ time. I did stagger out to a Folkestone Burns Supper, which was pleasantly convivial even though the kilted master of ceremonies had acquired his accent on the Old Kent Road rather than on Glasgow Green. Of course Burns is not entirely cheerful:
But Mousie, thou art no thy lane,
In proving foresight may be vain:
The best-laid schemes o' Mice an' Men
         Gang aft agley,
An' lea'e us nought but grief an' pain,
         For promis'd joy!

Still thou are blest, compared wi' me!
The present only toucheth thee:
But Och! I backward cast my e'e,
         On prospects drear!
An' forward, tho' I cannot see,
         I guess an' fear!
Dispel the gloom of January, bright February has arrived. The Six Nations Rugby starts this weekend and I have high hopes for some classic performances. Scotland Forever!

SMD
02.02.2018

Text Copyright © Sidney Donald 2018