Friday, February 26, 2021

WIPING AWAY THE COBWEBS

 

Like many others no doubt, I was becoming listless and cranky as Lockdown meandered on endlessly, my fragile sense of humour dulled, my appetite for daytime TV more than sated, and my indignation at the world in general (but Macron, Merkel and Sturgeon in particular) bubbling over catastrophically. Yet in the last few days some hope has returned, Boris has unveiled his “roadmap” to the end of the pandemic with his usual optimism, and maybe we will indeed splash around on that Greek beach and show off our well-toned torsos (ahem?) by the late summer. That would be Bliss!

             


                                             My cherished Hippy’s Beach Bar in Karlovasi, Samos

I crave normality, welcoming pubs for a pint of bitter, supermarkets in which to make leisurely choices, useful shops functioning to sell me watch-straps, cosy slippers or bore an extra hole in my belt, skilled tradesmen about to fix the boiler or mend a delinquent light, bookshops to browse. We need to be able to get away from it all, without harassment from some over-officious policeman. It is time to shake ourselves awake, to cut free from the toils of the nanny state, to defy unfettered “authority” and to strike out on our own chosen path. We are free-born Britons, observing the rule of law, but we have to reclaim our liberty.

In the interim and as a pragmatic exception, I guess Covid vaccination passports will become a necessity and we already hear the illiberal “no jab, no job” mantra. We are on the horns of a dilemma – the health of the nation, and indeed the health of our families, friends and loved ones, is a cause of huge concern. We need to find a better balance between health and liberty than the crude mechanics of Lockdown. No civilised government can forcibly vaccinate its population – a range of incentives, of carrots and sticks, has to be found and applied. Politicians, don your thinking caps!

The pandemic obviously is best tamed by wide-ranging international cooperation. This virtuous quality has been conspicuously absent, especially in Europe. Luckily for the UK, in a combination of luck and good judgment, it has plentiful supplies of effective vaccine and had jabbed many more arms that its usual rivals in France, Germany and Italy. The EU was slow to secure supplies, is plagued by anti-vaxxers and the roll-out of its programme seems easily to get stuck. Britain is blamed for these problems, quite inexplicably, and Macron and Merkel have disparaged the excellent Astra-Zeneca / Oxford product in a shameful, forlorn, self-destructive campaign. The EU will take a long time to accept that the UK is a free agent with different priorities to those of Europe, or forgive us for leaving their protectionist clique. The EU seems to be intent on damaging the UK whenever it can; I hope our leaders are wise enough to refrain from any too drastic retaliation at this sensitive time. But thank God we have left the smothering EU!

The unedifying slugging match between Sturgeon and Salmond totters on. Neither of these two characters hold any appeal to me and I hope both slide back into their respective fetid swamp. However, the Union is in peril and Labour, once a dominant power in Scotland, needs to wake up and join with the Scottish Tories in combatting independence pipe-dreams and SNP repression. An attractive cross-party programme of reform needs to be put together – I look to Michael Gove to take a lead in this.

But it is a day to be upbeat. In sober Folkestone the sun is shining happily and the promenade and avenues are carpeted in white and purple crocuses.  It is a day to burst into song and please join me with Ivor Novello’s “We’ll gather Lilacs in the Spring again” from his 1945 musical Perchance to Dream, so redolent of nostalgia and reunion.

https://www.youtube.com/watch?v=T29bxIh_krI&ab_channel=Jymster46

 

SMD

26.02.21

Text Copyright © Sidney Donald 2021

Wednesday, February 3, 2021

BAROQUE BLESSINGS

 

 

Classical music provides one of the most warming medicines to help see us through Lockdown. I happen to be particularly enamoured by late 17th and 18th century music up to about 1750, nowadays styled Baroque. I love its stylistic formality and grand celebratory emotions. It is something all Europeans can share, coming as it does from London, Paris, Venice, Naples and those most musical towns in Saxony and Brandenburg. We are part of a great cultural family, despite recent idiocies from Brussels, and we will all thrive in our own way. My 10 choices are tabled more or less chronologically. What pleasure they generate in the hearts of we true Europeans!




         A Baroque Pavilion at the Zwinger, Dresden

(1    https://www.youtube.com/watch?v=MxZQ1ODN1iU&ab_channel=FelicesCantusBaroque

I begin with Marc-Antoine Charpentier’s Te Deum, composed in 1688 whose opening section has been the signature tune of Eurovision (OMG)! It is a wonderful piece, performed beautifully here by Les Arts Florissants, the ensemble based in Caen, Normandy and conducted by the American William Christie. They were masters of the Baroque repertoire and I loved their performances in London in the 2000s.

(2  https://www.youtube.com/watch?v=Y_Up3cZa0wI&ab_channel=LevonManukyan

My next Baroque piece is Come, Come ye Sons of Art by Henry Purcell, written to commemorate the Birthday of Mary II in 1694. Purcell is always densely tuneful, wry in a characteristically English manner, duly flattering to his royal patron and bang up-to-date with his Baroque elaboration, no doubt influenced by the brilliant contemporary French court of Louis XIV.

(3  https://www.youtube.com/watch?app=desktop&v=vjOug5Z5aZk&list=RDC_-I3Vghl20&index=21&ab_channel=BBCMusic

I skip over the seminal career of the Venetian Claudio Monteverdi and give you the lovely Sancta Mater, istud agas of 1736 from the Stabat Mater by the Neapolitan prodigy Giovanni Pergolesi. This particular recording was made at the Dresden Frauenkirche and features the soaring soprano of the Russian Anna Netrebko and the warm mezzo of the Italian Marianna Pizzolato.

 

(4     https://www.youtube.com/watch?v=3zegtH-acXE&ab_channel=Ambasciatrice

While it is true that much of the finest Baroque music was devotional and religious, the age also accommodated comic opera and theatre. I attach a piece from prolific Jean-Philippe Rameau’s Les Indes Galantes (The Amorous Indies) of 1735, which captures the frivolous spirit of pleasure-seeking Paris. It is performed here with commendable French verve!

(5    https://www.youtube.com/watch?v=3LiztfE1X7E&ab_channel=VoicesofMusic

The Four Seasons by Antonio Vivaldi is a perennial favourite of the Baroque repertoire. The Venetian Vivaldi wrote this piece for a Bohemian patron in 1723 and it comprises 4 violin concertos illustrating the sonnets written by Vivaldi to describe the seasons. He wrote it in the Ospedale della Piรจta, (The Hospital of Mercy), abutting the Metropole Hotel, where we often stayed on trips to Venice. To underline the ecumenical nature of the music, the video above shows a performance by the Voices of Music ensemble, a Californian ensemble blissfully using period instruments, which often sings at St Mary’s Lutheran Church, San Francisco. Vivaldi was an ordained Catholic priest.

     

 

             The Grandeur of Baroque Versailles

I move on to two giants of Baroque music, indeed of the whole musical world, George Frideric Handel (1685-1759) and Johann Sebastian Bach (1685-1750).

           
                                              
                                                                                 J S Bach                                         
             
                                                                              

(h      https://www.youtube.com/watch?v=1h4mAceHmrI&ab_channel=VoicesofMusic

I begin with the very familiar and much-loved Hornpipe from Handel’s Water Music of 1717. Handel enjoyed the patronage of George I, King of the United Kingdom and erstwhile Elector of Hanover. He would move on to many entrepreneurial ventures in Italian operas, oratorios, suites for grand occasions. He had a restless and rumbustious spirit and in later years was somewhat irascible, but only a true genius could have written the wonderful Messiah in 3 weeks in 1741 in a hurricane of creative inspiration.

(7     https://www.youtube.com/watch?v=3kucFS9Gafk&ab_channel=AcademyofAncientMusic

To raise our spirits I include Handel’s anthem Zadok the Priest written for the Coronation of George II in 1727. It is a stirringly triumphant piece and is sung at every British Coronation and at many other gatherings of the great and the good. The British Academy of Ancient Music does it full justice.

 

(8    https://www.youtube.com/watch?v=CwGWocp80-o&ab_channel=BatClips

Bach was a complex composer, stretching the musician’s technical skills, and a complete master of his art. His Cantatas are guaranteed to cheer and uplift and the one above from 1731 is Wir danken dir, Gott, wir danken dir and is a total joy.

(9   https://www.youtube.com/watch?v=8OTT5ogjFl8&ab_channel=MormonTabernacleChoir%2COrchestraatTempleSquare%26MackWilberg-Topic

Kapellmeister Bach was a more predictable character, pious by our standards, and a committed Lutheran. His famous 1713 cantata Sheep may safely graze, here sung by the Mormon Tabernacle Choir, will give serenity to many in these dark times.

(1 https://www.youtube.com/watch?v=JvNQLJ1_HQ0&ab_channel=VoicesofMusic

Finally, I bring you Pachelbel’s Canon in D Major. Pachelbel was a musician in Nuremberg, but was totally obscure. Nobody knows when the Canon was written, probably in about 1700. Pachelbel left a large opus of work but it was only collected in the 19th century and he remained overlooked until a French group made a disc of the Canon in 1968. The Canon took off and by the 1980s the Canon became familiar as background muzak in shopping centres, and elevators. Soon lush orchestrations swelled its over-familiar fame and it was used as the music at weddings and some funerals. Its insistent themes have a hypnotic effect, giving pleasure to its multitude of listeners.

 

Baroque Music is a high-point of our civilization and deep draughts of its sublime beauty are just what the doctor ordered!

 

SMD

2.02.21

Text Copyright © Sidney Donald 2021