Tuesday, July 8, 2014

W. E. GLADSTONE: Scots in UK Politics (11)




It may surprise some that a figure so imbued with the English establishment ethos and with High Anglicanism should be claimed as a Scot, but in fact the great Mr Gladstone was a pure-bred Scot. His father Sir John Gladstone was born and raised in Leith, the port of Edinburgh, while his mother Anne McKenzie Robertson was the daughter of a solicitor and erstwhile Provost of Dingwall in Ross-shire. Mr Gladstone’s Scots ancestry may partly account for his principled mind-set and strong work ethic, but perhaps also for his religiosity and his suppressed sexual obsessions. Although his father lived most of his life from 1787 and prospered as a Liverpool merchant, John Gladstone retained a family seat, Fasque House in Kincardineshire, bought in 1829 and dying there in 1851.

Fasque House in Kincardineshire

William Ewart Gladstone, (1809-1898) the most eminent of Victorian Prime Ministers, was born in Liverpool, the 4th and youngest son of his parents, who had also 2 daughters. His father, later Sir John Gladstone, 1st baronet, had made a fortune in the corn, cotton and sugar trades and was a Canningite Tory MP. W.E. was sent to Eton like his brothers and then he went up to Christ Church, Oxford, where he won a double first in Classics and Mathematics. His views were uncompromisingly Tory and he spoke against the Reform Bill. Entering Parliament in 1832, he opposed the abolition of slavery and was famously described by Macaulay as “The rising hope of those stern and unbending Tories”. Gladstone was gradually to move from Right to Left, far across the political spectrum.        
                        
W.E. Gladstone in the 1830s

Gladstone also originally held extreme religious opinions arguing in his 1838 The State and its relations with the Church, that the State had a duty actively to support the Church of England to the exclusion of Catholics and Non-Conformists. This divisive view was not taken seriously by Peel or other Tories though it led to Gladstone’s brief resignation from Peel’s 1841-46 ministry over the Maynooth grant to a Catholic seminary in Ireland. Gladstone held cabinet office and was a loyal Peelite, indeed a strong admirer of Peel, supporting the repeal of the Corn Laws, which split the Tories in 1846. Gladstone became an apostle of free trade and follower of the cheap food programme of Richard Cobden and John Bright together with their championing of the aspirations of the working classes.


The Peelite Tories drifted over to the Whig party under Russell and Palmerston with Gladstone becoming 3 times Chancellor of the Exchequer. “Gladstonian” finance was one of the pillars of his fame, consisting of a balanced budget, the reduction in indirect taxes, economy in government and a determination to cover expenditure by adjusting the rate of income tax. In 1860, he famously abolished paper duties (“taxes on knowledge”) and he became a hero of the working class, credited with keeping down the cost of food. By 1859 the Peelites, Whigs and Radicals merged into the Liberal Party with Gladstone the heir apparent.

Gladstone in his 1861 prime

After Disraeli stole the Liberals’ clothes by passing the Second Reform Bill of 1867, Gladstone became Prime Minister for the first time in 1868-74, leading one of the great modernising ministries. The Civil Service and the Universities were opened to merit, the purchase of Army commissions was abolished, a seminal Education Act was passed, election ballots became secret and the local authority management of the Poor law was overhauled. Public drunkenness was limited by new Licensing laws, upsetting the powerful brewing interest and when the Liberals lost the 1874 election Gladstone complained that he had been “borne down in a torrent of gin and beer”. Yet the achievements of his first ministry had been immense. 


At the beginning of this ministry, cutting wood as was his hobby and pleasure at his wife’s family estate at Hawarden in Flintshire, North Wales, he had made the oracular pronouncement “My mission is to pacify Ireland”. This became a central prop (and blind alley) of his political life from 1874 and one which he drove on with eloquent persistence. He disestablished the episcopal Church of Ireland, initiated important land reforms and in time embraced the fraught policy of Home Rule – fraught because it was likely to split his party. His watchword remained “Retrenchment”, strict economy, small government and no overseas adventures as the age of Imperialism dawned. Queen Victoria was no admirer of Gladstone (“a half-mad firebrand”, she opined) and was much gratified when his adversary Disraeli, had her proclaimed Empress of India in 1877.


Gladstone soon showed his mettle by storming back to office in 1880 after his “Whistle-stop” Midlothian Campaign of 1879 on the American electoral model, exciting his audiences with his domestic programme but also by his denunciations of the “Bulgarian Horrors”, the brutal Ottoman suppression of Balkan insurrection. His Second Ministry was less successful: Ireland loomed large with rural terrorism and the Phoenix Park murder of Lord Frederick Cavendish, chief Secretary for Ireland in 1882.  Entanglement with the governing of bankrupt Egypt contradicted Liberal principles and Gladstone’s government was blamed when odd-ball General Gordon succumbed to the fanatical warriors of the Mahdi in Khartoum in 1885. The suffrage was further extended to many rural inhabitants in the 1884 3rd Reform Bill. 

The Formidable Grand Old Man
In a brief Third Ministry in 1886, Gladstone introduced his first Irish Home Rule Bill. Gladstone pleaded for support in a 3-hour oration but he failed by 30 votes to carry his Bill in the Commons. His Liberal Party was split as feared with the Liberal Unionists led by Lord Hartington and by Radical Joseph Chamberlain voting with the Tories. In his final undaunted attempt and 4th ministry in 1892, aged 82, the Home Rule Bill passed the Commons but was decisively blocked by the Lords, leaving one of history’s great “What ifs?” Gladstone could have, but did not, put the conflict between Commons and Lords to an electoral test in 1894.


The mere outline of Gladstone’s political life does him scant justice. He had a mesmeric hold on the House of Commons and on many of his colleagues. He believed he was God’s instrument to reform his nation and improve the world. He was happily married for 59 years to almost aristocratic Catherine Glynne but in a wildly indiscreet fashion he wandered the streets of London from 1848 onwards seeking out and trying to help prostitutes (“fallen women” in the jargon of the time) to change their lives. This may have been the evangelical pull of doing good works but there may have been a prurient element of getting close to the purveyors of forbidden pleasures. He could be a sanctimonious brother too, chasing after his neglected sister Helen, an opium addict, but much worse, a Catholic convert. He was not a bigot, being an admirer of the poetry of Cardinal Newman.


Gladstone, by modern standards, was not well travelled but he went on a European Grand Tour in his youth and later was appalled by the poverty he saw on a visit to Naples. His profound classical scholarship was rewarded by his becoming for 3 months in 1858-9 the Extraordinary British High Commissioner to the Ionian Islands over which Britain had a Protectorate and he seriously applied himself to the problems of Corfu. Happily by 1862 the Ionian Islands were united to the Kingdom of Greece. He was a tremendous bibliophile, supposedly having read 20,000 books in his time; he read Homer for pleasure – “serve him right”, quipped unclassical Winston Churchill. 


His ministries were epoch-defining as may also be said of those of Attlee and of Thatcher. His emphasis on government economy, on self-help, laissez-faire and on small government were echoed most recently by Margaret Thatcher, who is one of his residual legatees. Gladstone was many-sided, complex and a thunderbolt-wielding Thor dominating two generations of British political history: his Scottish antecedents add lustre to his great name.



SMD
8.07.2014
Text Copyright © Sidney Donald 2014.

  

Thursday, July 3, 2014

TEN MEMORABLE BRITISH FILMS




I want to redress an imbalance following my recent piece on Ten Favourite Movies in the 1938-1959 period, as almost all were American and I neglected films emanating from the mercurial but highly talented British film industry. I do not put any year limitation but as it happens the years are similar, this time 1935-1971.

1.       The 39 Steps (1935)


This was Hitchcock’s third talkie and is a loose adaptation of John Buchan’s famed thriller. It has Richard Hannay (Robert Donat) caught up with a sinister spy ring, accused of murder, fleeing to Scotland, leaving the train on the Forth Bridge and being chased over the moors handcuffed to blonde Pamela (Madeleine Carroll). The villain betrays himself chillingly with his missing finger and the climax is a theatrical performance at the London Palladium by Mr Memory, being cunningly used by the gang to memorise military plans and getting assassinated for his trouble. Robert Donat was particularly watchable as Hannay.

Donat and Carroll at the Palladium

2.       Oliver Twist (1948)


David Lean’s version follows the adventures of Oliver (waif-like John Howard Davies), hungry at the workhouse, abused by Mr Bumble the Beadle (florid Francis L. Sullivan), running away to London, falling in with The Artful Dodger (a young Anthony Newley), joining the pick-pocketing gang of Fagin (a hairily grimacing Alec Guinness), meeting villainous Bill Sikes (Robert Newton rolling his eyes) – but it all ends happily, as we know. A classic tale robustly retold.

Oliver asks for more!




3.     Kind Hearts and Coronets (1949)


This black Ealing comedy relates how Louis Mazzini (Dennis Price), a draper’s assistant, vows vengeance on the ducal D’Ascoyne family, who had frozen out his late mother when she eloped with an Italian tenor. Louis will succeed to the dukedom only if 8 heirs disappear and so Louis plots their departure with a deadly mixture of bomb, bullet and poison, although some die more or less naturally. All 8 heirs are played by Alec Guinness with hilarious aplomb.

Guinness as Lady D'Ascoyne

4.       Genevieve (1953)


A typically cosy British comedy of its time, this film follows the rivalry between two vintage car enthusiasts Alan McKim (John Gregson), owner of Genevieve, a 1904 Darracq and Ambrose Claverhouse (Kenneth More), owner of a 1905 Spyker, as they participate in the London to Brighton rally. Alan is accompanied by his wife Wendy (Dinah Sheridan) while Ambrose takes along his model girlfriend Rosalind (lovely Kay Kendall) and her St Bernard. They get into various comic scrapes; Ambrose and Rosalind are the more amusing couple but Alan and Wendy win the race home by a whisker with Genevieve. Larry Adler’s harmonica theme rounds off a gentle delight.

Vintage rivalry

   
5.       I’m all right, Jack (1959)
This film was a parochial satire on the fraught industrial relations of the time with naïve Stanley Windrush (Ian Carmichael) being manipulated by factory boss Major Hitchcock (Terry-Thomas) and greatly offending militant trades unionist shop-steward Fred Kite (Peter Sellers), ever ready to call a strike. Various Boulting Brothers stalwarts perform well but the portrayal of Fred Kite by Peter Sellers makes the film truly memorable.

Fred Kite leads his delegation
6.       Lawrence of Arabia (1962)


A splendid epic, British made by David Lean but American financed via Sam Spiegel, telling part of the story of odd-ball T. E. Lawrence (Peter O’Toole) as he helps the Arab guerrilla army harass the Ottoman Turks.  Jack Hawkins is a convincing Allenby while Omar Sharif, Anthony Quinn, Claude Rains and Alec Guinness give distinguished support. Most of all, the brutally sweaty Arab desert and the world of snorting camels and lonely railway lines set the scene for blue-eyed O’Toole’s hugely deserved stardom.

Peter O'Toole as Lawrence


7.       Dr No (1962)


This was the first in the wildly popular Broccoli-Saltzman series and there have been 22 films since. James Bond (Sean Connery) investigates the death of a British agent in Jamaica and attracts the attention of SPECTRE’s sinister Dr No (Joseph Wiseman). On a remote island Bond encounters statuesque Honey Ryder (Ursula Andress) and after many adventures they destroy Dr No’s rocket diverting operation. The Bond formula soon took shape - exotic locations, pretty girls, spectacular action and laconic one-liners. Always tongue-in-cheek, the films rather trivialise violence and occasionally fostered cold war paranoia but at their best they remain matchless entertainment.

Bond plans to sip Honey


8.       Tom Jones (1963)


This film was a breath of fresh air for the insular British industry. Although based on Fielding’s classic, it is by no means reverential, sprinting through its picaresque tale with great good humour and sharp direction. Tom Jones (Albert Finney), a foundling babe (or is he a legitimate heir?) is in time expelled from the family home and wreaks havoc with the ladies of London from serving wench to fine lady. He still loves his Sophie Weston (Susannah York) daughter of irascible Squire Weston (Hugh Griffith) and niece of dominating Miss Weston (Edith Evans) and they end up at the altar and in each other’s arms. Great stuff!

Tom and Sophie get romantic

      
9.       Carry On, Cleo (1964)


This was the 10th of 30 Carry On films – a British genre which probably mystified other nations. The series took off with Carry on, Nurse (1959) which caught the British funny bone and Carry On, Cleo is reckoned one of the best – the bar is not set high. The formula required familiar comic actors, funny voices, outrageous puns and constant double entendres. The cockney humour was very broad and there was plenty slapstick. Cleo has Kenneth Williams as Caesar, Sid James as Mark Anthony, Kenneth Connor as ancient Brit Hengist Pod (married inevitably to Senna Pod) and Charles Hawtrey and Joan Sims make their usual hilarious interventions. The admittedly undemanding British audience laughed like a drain.

Infamy, Infamy -they all have it in for me!

                  
10.   Get Carter (1971)


A violent crime thriller, now a cult movie, depicting the return of London gangster Jack Carter (Michael Caine) to his native North East to attend the funeral of his brother and his investigation of the suspicious circumstances of this death. Carter is cold-blooded and amoral as he cuts a swathe through the criminal underworld of uninviting Newcastle and Gateshead, beds any available talent and upsets the local Mr Big (Ian Hendry). The film preceded a number of other dark British gangster films like The Long Good Friday and Lock, Stock and Smoking Barrel while Caine was here on top form.

Caine as Jack Carter - not a man to cross


SMD
3.07.14
Text Copyright © Sidney Donald 2014