THE GREEK MIRACLE
I sit here in our comfortable family house in
suburban Athens, situated on the foothills of Mount Hymettus, whose modest
sugar-loaf bulk protects us from wind and tempest. I ponder the history of this
place and the contribution Greece has made to human development. I am a proud
Scot and a patriotic Briton too, but I have to concede that the Greeks are an
extraordinary star-turn by most measures and I wish to pay this grateful
tribute to them.
The greatness of Greece emanates first from the
poetic sagas of Homer, The Iliad and The Odyssey. The Iliad is the
story of the siege of Troy, when the Greeks under Agamemnon of Mycenae unite to
free lovely Helen, the wife of Spartan king Menelaus, who has been kidnapped by
the Trojan prince Paris, son of King Priam.
The epic poem was attributed to Homer (some say there were 3 separate
poets) who flourished in about 750 BC, probably in Ionia. The events in Troy,
if there is a kernel of truth in them, were dated much earlier, probably in the
12th or 13th century BC, according to archaeologists
excavating in Mycenae and Troy. A Bronze Age Trojan war is being described by
an Iron Age poet, Homer.
We are talking about pre-History here, with no written records. The Greeks had no alphabet or script in those days and these epic poems were transmitted orally and transcribed much later.
Homer, father of Greek poetry
Declaimed
in sonorous iambic pentameters, Homer’s epic world is one of Olympian gods
interfering with the actions of Greek and Trojan heroes and their women, of
furious rivalries between warriors and of all the qualities and vices of
mankind. His Odyssey describing the adventures of Odysseus (in Latin,
Ulysses) is wholly imaginative as he wrestles with monsters and evil spirits on
his way home to his wife Penelope on his Aegean-island kingdom of Ithaca. Homer
inspired the great Latin epic, the Aeneid by Virgil, praising the
founding of Rome by the Trojan hero Aeneas.
To sum up matters Homeric, the brilliant but careless archaeologist Heinrich Schliemann excavated a Bronze age death-mask in Mycenae and like the great show-man he was, telegrammed the King of Greece, with precious little scientific evidence: I have gazed upon the face of Agamemnon! The public believed him and loved it though later experts dated the mask a century before any Agamemnon.
Schliemann’s Famed Mask of Agamemnon
Fast forward to the 5th century BC
and the Golden Age of Athens, when that city-state enjoyed a remarkable
flowering mainly under the auspices of populist statesman Pericles. That
flowering was led by philosophers like Socrates, who taught Plato, whose pupil
was Aristotle. The works of these great minds, in ethics and politics, are
still endlessly debated today, (or certainly were in my Oxford days 60 years
ago).
The Golden Age also saw the theatre flourish, a
religious as well as a dramatic feast in those times. The works of the great
dramatists Aeschylus, Sophocles and Euripides thrilled the ancient audiences
and modern ones too. In 1960, as a short-term student in Paris, I read all
Sophocles’ plays (no great feat, there are only 7). I have attended various
classical performances, often at Herodes Atticus, the Roman theatre beneath the
Acropolis in Athens. Last time I was there the blinding of a character was
graphically enacted. This proved too much for a lady spectator who fell into a
noisy swoon and had to be carried out amid much hubbub. An authentic touch, for
sure!
The timeless buildings on the Acropolis are also Pericles’ legacy, although he ruthlessly looted the treasure belonging to the Delian League to pay for them.
The Acropolis today
The Parthenon, the Erechtheion and other
temples beautify modern Athens. The finest theatres in Greece architecturally
are elsewhere. There is an evocative, but steep, theatre at the wonderful site
of Delphi, which was altered to accommodate a visit, and no doubt a bardic
performance, by the Emperor Nero. Most people’s favourite is the vast Theatre
at Epidaurus in the Peloponnese.
The acoustically perfect theatre at Epidaurus
On one of several visits years ago, I tested
the vaunted acoustics by declaiming the famous speech from Marlowe’s Dr
Faustus:
Is this the Face that launched a Thousand Ships
And burnt the topless Towers of Ilium?
Sweet Helen, make me immortal with a Kiss…
My
long-suffering wife, seated on high, heard me with bell-like clarity. I did not
however achieve immortality!
A
Renaissance Raphael fresco in the Vatican depicts the richness of the Academy
of Athens:
A copy from the V&A of Raphael’s
Academy
I am no scholar but it is possible to identify
the historians Thucydides and Herodotus, the mathematicians Pythagoras and
Euclid and the sculptor Praxiteles in addition to the usual suspects. Sadly,
Pericles and his successors lost the Peloponnesian War against authoritarian
Sparta and the spark of the glory of Athens was greatly diminished.
Classical Greece gave way to the dominance of Macedonian
Alexander the Great and soon enough to the Romans. Hellenistic culture
continued to flourish, Greek was also the language of the New Testament and of
the Eastern Mediterranean generally. Although geographical Greece was a mere
province, the Byzantine Empire, successor to the Roman, spread her culture very
widely. Exquisite churches like Daphni, near Athens, or Hosias Loukas on the
road to Delphi testify to that beauty.
The Byzantine Empire ended with the fall of
Constantinople to the Ottoman Turks in 1453 and Greece suffered as second-class
infidels under the Muslim yoke. In 1821 the Greeks revolted and achieved
liberation in 1830. I am proud that my fellow Scot and alumni in childhood at
Aberdeen Grammar School, the poet Lord Byron, played a leading role in rallying
European opinion on the Greek side.
I dreamed that Greece might still be free
Modern Greece has had many moments of turmoil
but her unique spirit, typified by her brave Resistance to Nazi occupation in
WW2, is unquenched and many will join me in proclaiming:
– Thank
you Greece for ushering in Western civilization, all strength to the Hellenic
genius, long live Greece!
SMD
15.04.22
Text Copyright © Sidney Donald
2022
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