Saturday, July 12, 2014

NORTHERN LIGHTS and LAUGHTER




There is no doubt that there is a distinctive Northern sense of humour. In the South, the “cheeky chappie” in the Max Miller, Jim Davidson, David “Del Boy” Jason mould holds sway; the Scots enjoy Billy Connolly‘s raucous and hyper-energetic patter. “Scouse” (Liverpudlian) humour is of its own quick-fire impenetrable kind, fortified by Ken Dodd and Jimmy Tarbuck.  But Up (sorry, “Oop”) North, to the denizens of Manchester, Leeds and Newcastle, the humour has a touch of the graveyard with a bleak view of the human condition peppered with ripe expressions and accents combined with a wry acceptance of the absurd perils and setbacks of life. I wish to pay tribute to some of its most attractive protagonists.

Robb Wilton
Norman Evans



Frank Randle
  

 Northern humour flourished in the music halls and early leading figures included Everton’s Robb Wilton (1881-1957), famous for his Lancashire-accented monologues – a typical Northern love of language – often delivered as from incompetent official functionaries. Norman Evans (1901-62), from Rochdale, was an excellent radio comedian, and as gossipy Fanny Fairbottom, anticipated by a generation Les Dawson and Roy Barraclough’s “Cissie and Ada” with his sketches “Over the Garden Wall”. Another golden oldie was Frank Randle (1902-57) from Wigan, playing the subversive underdog, with famous sketches as a Grandpa or as a Drunk. He clashed with the Blackpool Watch Committee, who banned his act and he retaliated by throwing his false teeth into the audience and bombarding Accrington from the air with toilet rolls! 

George Formby

  
Hylda Baker
 

















Quintessentially Northern were George Formby and Hylda Baker. George Formby (1904-61) from Wigan was at the peak of his popularity in the 1930s and 1940s on stage and screen. Henpecked in life by his formidable wife Beryl, he affected a toothy, gormless persona, with a giggly Lancashire accent dropping double entendres promiscuously, a great purveyor of lengthy “shaggy dog” jokes. Most of all he was loved for his suggestive songs accompanied on his ukulele - “When I’m cleaning Windows” or “With my little stick of Blackpool Rock” and his delightful signature tune “When a certain little Lady comes by”.


Hylda Baker (1905-1986) from Farnworth, Lancs, achieved her immortality as Nellie Pledge in the TV series Nearest and Dearest, producing Pledges Pickles. Hylda’s speciality was scatterbrain malapropisms as in “I can say this without fear of contraception” or on being asked what time is it, responding “It’s quarter past….I must get a little hand put on this watch!”


In the 1960s to 1990s three Northerners kept up their region’s proud traditions. Everyone loved lugubrious Les Dawson (1931-93) from Manchester, master of wife and mother-in-law jokes:
I was lying in bed the other morning playing a lament on my euphonium when the wife, who was prising her teeth out of an apple, looked back at me and said softly, 'Joey.' She calls me Joey because she always wanted a budgie. She said, 'I'm homesick.' I said, 'But precious one, this is your home.' She said, 'I know, and I’m sick of it’


This is typical Les Dawson, surreal language, gravelly Mancunian accent, deadpan delivery and an audience in stitches. Perhaps his best lines came from his “Cissie and Ada” duo with Roy Barraclough, both in drag where the marginally more refined Cissie corrects the gaffes and misunderstandings of Dawson’s Ada, energetically adjusting her ample bosoms – referring to a hysterectomy as a “Hysterical rectummy”!

Les Dawson

Victoria Wood
   

                                   


 
Eric Morecambe

 Victoria Wood (1953- ), from Prestwich, is a multi-talented artiste, with a more bitter-sweet flavour, the thinking lady’s Hylda Baker, bringing femininity to Northern comedy. Eric Morecambe (1926-84) from Morecambe naturally, became, with his stooge Ernie Wise, a national treasure as his TV shows won a huge UK audience. Eric always carried with him his air of injured innocence, fighting against the injustices of his life in the traditional Northern comic manner – mind you, he was also a seasoned song-and-dance man and knew all the music-hall tricks.


There were some Northern artistes who went too far. Bernard Manning (1930-2007) from Manchester blotted his copy-book with his stereotypical racist jokes and rank bad taste; an example, to give a flavour of Manning unbuttoned, is:


'Seriously folks, I didn't mean that. My grandfather died at Auschwitz' - crowd goes quiet - 'very sad. He fell out of the machine gun tower'. 


Another offender is Roy “Chubby” Brown (1945- ) from Grangetown, Yorks, who packed them in at the South Pier at Blackpool from the 1990s. His act is as blue as the Med and could not possibly be quoted on this family blog. One of his more toned-down shows was called Clitoris Allsorts, so you get the picture.

Bernard Manning




Roy "Chubby" Brown
 












Northern comic style continues to prosper. We can enjoy the curious nasal accents and high pitch of Johnny Vegas (1970 - ) from St Helens with his surreal rants. Peter Kay (1973-) from Farnsworth is by some measure the most successful stand-up comedian ever, his shows selling out massively.

   
Johnny Vegas
Peter Kay

Alan Bennett

 However to me the epitome of Northern humour is to be found in the gentle performances and thoughtful prose of hugely talented Alan Bennett (1934 - ) from Armley, Leeds. He has an instinctive feel for Northern family life and for the values of past generations, all conveyed in a dry ironic way. Just as Scotland is nothing without England so England needs the unique culture and stimulus of the North, of which I and surely many others have the happiest memories.



SMD
12.07.2014
Text Copyright © Sidney Donald 2014

Links:

Rob Wilton       www.youtube.com/watch?v=4GQe8CKCrbg














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